Showing posts with label BluEyedDaizy. Show all posts
Showing posts with label BluEyedDaizy. Show all posts

Wednesday, September 10, 2008

A Night at the Opera -- with the Phantom of the Opera

I wrote this for The Witchy Chicks, so thought I would share it here since I'm still off line and on deadline:


I have been living in a hole lately. Not my fault, but not exactly avoidable. What this means is, I have done nothing, absolutely nothing, that could fall under the "miscellaneous culture" tag. No opera, no concerts, not even a movie. Heck, not even a dinner out!

I am, of late, culturally challenged.

So, with that in mind I bring to you tonight a memory of one of my all-time favorite musicals, Andrew Lloyd Webber's Phantom of the Opera. No, I have never seen it on stage. Yes, I had heard the LP of the music and fell in love with the music. But {but!} when ALW brought it to the big screen and changed the vision of the Phantom somewhat from disfigured psychopath to disfigured tragic man with a few unfortunate psychotic tendencies explained by his need to control an out-of-control world that would never understand him, a world that turned against him the moment he was born with his physical handicap, I fell completely and utterly under the spell. This was a Phantom I could understand. This was a Phantom I could pity. This was a Phantom in which I could see the man, not just the travesty.

The movie did it for me in every way.

I can't even begin to describe the sumptuous sets, the swell of the full orchestra that pours into you until you feel almost bursting with the music itself, the intrigue, the mystery. The sweetness of Christine {in the movie version, she is an innocent and very much naive of her own power over this mysterious man}, and the pure, knight-in-shining-armor love of her Raoul. But the Phantom . . . oh, the Phantom. Dark, dangerous, sinuous, sinister, mysterious, a bad boy in every sense of the word. His love for the music is evident from the first moment he appears on screen as he lurks several levels below the stage and allows the music to fill him. He smolders on screen from the moment he holds out his hand to Christine, a command to come to him. Confident on the outside, but pleading and yearning on the inside. . . The Phantom's power lies in his bravado, and he knows it. What's more, he's learned how to wield it well.


"I am your Angel of Music, Come to me, Angel of Music."


It still sends shivers down my spine.
After three and a half years of wearing out my CDs, I still can’t listen to the music or watch the movie without tears, and I think that's quite amazing in this day and age. The emotional honesty of the premier voices never fails to amaze me. Emmy Rossum’s haunting soprano blends seamlessly with Patrick Wilson’s quietly accomplished Raoul, and the circle is completed by the raw energy and heartstopping pathos in Gerard Butler’s appealing baritone--sometimes rough-edged, sometimes smooth and pure, but always, always compelling with sheer masculine power. If you have somehow managed to miss this, do whatever it takes to get your hands on it. You’ll never forget it.
Here are some favorite scenes/music:


ALW wanted the Phantom to have a kind of rock and roll quality -- and boy, did he ever.


As evidenced by the way he swings that cape. ;>
Music of the Night is one of the most beautiful pieces in the entire production.
Desire . . .


Love . . .


Betrayal . . .


Desperation . . .


And in the end, sacrifice . . .

All the elements of a timeless work that will live on forever.

And Gerard Butler as the Phantom . . . who would have thought at the time? Honestly and truly, Gerard Butler does tortured and conflicted better than anyone. His performance in some of these scenes completely blew me away. So much emotion. I know, as someone with empathic tendencies I'm more than a little susceptible . . . but there is just something very special about it.

I leave you now with a POTO fan video from one of my favorite video editors, BluEyedDaizy Productions. This aria appeared as the epilogue in Ken Hill's stage production of POTO to music from The Pearl Fishers by Bizet. Haunting aria, absolutely gorgeous voices, and Blu's ability to match clips from the film to the music with some truly beautiful special effects all make this an all-time standout for me. Even if you have no time to watch the clips above, please watch this one video and see if it speaks to you, too. :)




Love to all,


Mad {madly!}

Thursday, March 08, 2007

Great Scot!!!

The world is about to discover the seemingly limitless talents of a heretofore underappreciated Scottish actor whose career trajectory I've been following for some time, and all I can say is, it's about time!!!
The movie 300 is thundering into theaters nationwide today. In fact, in many cities it opened at the midnight hour last night to gargantuan box-office success. A movie about an underdog kingdom defiantly facing down a fearsome contingent of warriors against truly mind-boggling odds, 300 has not only the boys and men surging eagerly toward the theaters, but also is drawing women of all ages in droves.
{Girrrls, can you say 'impeccably toned and fabulous male bodies clad in nothing but leather briefs and glorious crimson capes?' Uh huh. I thought you could.}

All teasing aside... 300 is lead by my H'wood favorite, Scotsman Gerard Butler {a.k.a. Gerry Butler, a.k.a. Yon Great Kilted One; fabulous in Phantom of the Opera, Dear Frankie, Timeline, and Beowulf & Grendel... and yes, that's him above}, who shines even brighter than ever before as the fiercely protective and unyielding King Leonidas. His commanding presence can be physically felt and experienced by the viewer--powerful, powerful, powerful. Not to be outdone, the rest of the movie's talented cast delivers each and every scene with a life and vigor that has managed to gather the attention of all of Hollywood, comic book fans, gaming fans, action adventure fans, and yes, women world-wide. Not bad for a film that stars none of the usual Star Magazine and US Weekly crowd. {Thanks to director Zack Snyder for that!}
Ah, but if it offered nothing more than a whole lotta eye candy, the advance buzz wouldn't have reached such impressive heights. The CGI special effects are amazing, the stylized atmosphere starkly commanding and beautiful at once, often tinged by an eerie, golden light. In fact, the imagery is so all-encompassing, one might expect character development to be an unfortunate afterthought, but the performances of all actors involved in this film are flawless through and through. Especially evocative is the emotional arc of the love story between Leonidas and his beloved queen, Gorgo {played by the exceptional Lena Headey}. Their exchanges without words are both poignant and heartrending, clearly read by anyone who thinks to look.

300 is a powerful and amazing ride, THE must-see movie of the year. Go see it!

Have fun at the movies!

Love to all,


Mad {madly!}

P.S. Oh, okay. Since you begged, here's one more pic. This one's from the March 5th premiere at the Grauman Chinese Theater in Los Angeles:


He is fairly fabulous, isn't he? You should see him in a kilt.

P.P.S. One last thing to highlight the vid work of a very talented friend, BluEyedDaizy Productions {see the link to the right--->}: